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We expect the council’s Clean Air Neighbourhoods policy to be a well-intentioned and researched policy, with its implications and unintended consequences carefully considered. There are good things in here, such as planting more street trees, improvements to street safety, and some incentives intended to discourage car use. However, on examination, few measures actually relate directly to ‘the name on the tin’ – air quality – and the one that does, only relates to around 12% of the air quality problem in Hammersmith according to Public Heath England’s figures below. This week’s smell of wood-burning stoves reminds us that the main problem here is PM2.5 particulates. Rather than deal with that, this policy would concentrate nitrogen oxide pollution where it’s highest – on main roads.
Welcome to the infamous Low Traffic Neighbourhood (LTN) debate that dare not speak its name – our council knows how toxic that is. Instead it has decided to use a heavy-handed mix of Fear, Uncertainty and Doubt, deployed with highly inflammatory headline-grabbing phrases such as TOXIC, SILENT KILLER, DEATH, in a decades-old ‘big stick’ approach. The claim of 40,000 UK annual deaths is a misappropriation of the data, which actually relates to life expectancy. Privately the council still uses the term ‘LTN’, and funds them instead of schools, with Section 106 contributions.
Along with a proposed bridge toll, this binary “clean” vs. “dirty” social-media style campaign is beginning to make us look like Fortress Hammersmith, rather than the well-connected borough we appreciate, predicated on the idea that other boroughs wouldn’t think of putting up their barriers similarly… would they? Hounslow’s so-called South Chiswick Liveable Neighbourhood is one such controversial and euphemistically named control scheme already on our doorstep, which points to Hammersmith bridge closure as part of the problem.
Evidence from the controversial South Fulham Traffic, Congestion & Pollution Reduction (TCPR) scheme shows that the policy of diverting traffic can make it worse overall, particularly on main and boundary roads such as the A4, or to places not measured, out of sight and out of mind. This was confirmed recently by widely-reported DfT figures showing that total vehicle miles driven in the ten inner London boroughs that introduced LTNs or equivalent schemes in 2020 rose by an average 11.4% in 2021 vs. 8.9% where they hadn’t. This is one of the reasons the TCPR has had to be extended to the western side of Wandsworth Bridge Road, but the recent extension is already reported to be causing gridlock in Wandsworth itself and on Wandsworth Bridge and New Kings Roads.
Kings College and the council’s own data shows that our backstreets are already as much as 50% less polluted than main roads. Clean Air Neighbourhoods might therefore be seen as a divisive and discriminatory policy addressing the wrong target, by aiming to improve air quality in areas where it’s not a significant problem, and diverting traffic to main roads, where it would worsen the sometimes already sub-standard air quality, slowing the movement of public transport and other traffic, reinforcing last year’s similarly ill-conceived bus lane removals, and concentrating any pollution on those trying to “do the right thing” by using active travel modes – the bus, walking or cycling – or perhaps living alongside. The deeper dive at the foot of the article provides more detail.
It’s not very useful claiming that H&F residents will be unaffected, as some councillors have, with oddly mixed messaging, potentially encouraging residents’ car use. Let’s look past our own noses, and imagine other councils following suit and imposing their own set of rules, having had H&F traffic displaced to them.
Lock-down London would be divided up into a competing patchwork of complicated and differently administered fiefdoms, that no business or occasional visitor would want to, or in many cases be able to, cross – at least at any reasonable level of administration or cost – and Fortress London would become ever more a playground for the super-rich.
This represents a spectacular own goal from a council claiming to be “Doing things with residents, not to them”, and for whom it takes over 3700 words to explain just their South Fulham TCPR scheme (that’s 50% longer than this article, which is hardly short!). Unsurprisingly, the TCPR now has its own 7000-signature petition.
In an era rapidly going electric (50% of new vehicles are projected to be electric in 3 years time), rather than the council’s retro big-stick approach, a far more effective policy would involve the carrot of improving public transport from it’s pitiful speeds by ungumming the main roads, and making it cheaper and more accessible, as they do in Germany. TfL has just done the exact opposite.
Instead, this policy would make it worse in the hotspots: the five most polluted spots measured in the 2022 air quality report are Hammersmith Road East/West (HF11/46), The Town Centre, Wood Lane (HF16), and of course the Broadway, all locations where traffic is already largely at a standstill. Amazingly, for a supposed ‘clean air’ policy there appear no exceptions for EV’s; this is actually an anti four-wheel policy – ‘clean air’ is a marketing ploy.
In the month of COP27, the council conflated air quality with climate change in order to ‘make it relevant’, and then casually targeted predetermined usual suspects, fitting a tired and over-politicised narrative. The two don’t always overlap, especially geographically as we wrote before, and sometimes even work in opposition, as described below. But where the effects of climate change and air pollution do collide is in the ‘global south’ as the map above clearly illustrates, and, by encouraging pollution exports, this policy helps reinforce the situation. Do we want those countries, recently awarded ‘loss and damage’ payments from the developed world for climate change, to need to add loss and damage from our exported air pollution too?
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Earlier this month we met with the new owners of RMH, Telereal Trillium, their planning consultants, Turley, and Trevor Morriss of SSPARC architects appointed for the redevelopment, who you may remember giving a presentation on the Olympia redevelopment at our AGM in 2019.
They gave us a rundown of Telereal Trillium’s background (mainly a large portfolio of former public sector property, a large proportion of which were in the BT and DWP estates, formerly owned by Land Securities). This is not their first listed building redevelopment – the example they gave us was the one on the website, the Grade II listed Tooting Police Station. As it’s early days, there were no more details available other than that on the website boards, shown above and on their website.
Telereal Trillium describe themselves as an £8 billion family owned property development company owned by the William Pears Group. They say that they are not “operators”, they have moved from being owners to owner/developers recently, and are not currently planning on going further into running buildings.
The 80’s block at the back of the site shown in pink adjacent, “Block E”, was suggested as the location for the main redevelopment activities, the rest of the estate is more a case of preserve, enhance and convert into luxury accommodation, with restoration of the surrounding gardens, which is good news.
Discussions with the council started in June, but there have been no formal planning pre-application meetings yet. We mentioned that we’re extremely keen to engage early, offering our experience and local knowledge on behalf of the wider community. Meanwhile we’re looking at how National (NPPF), London-wide (London Plan), and borough (Local plan) guidance applies to this project.
The large public spaces in the listed parts of the estate (“Block A”) are where the community use and engagement is critically important. We discussed possible educational and other uses, but only in outline at this initial stage.
We’re pleased that this important building has an engaged new owner, and look forward to its unique interiors being open for public enjoyment again in an appropriate form. Your suggestions for suitable uses are most welcome.
New Civil Engineer recently reported that the bridge stabilisation has progressed and that specialist concrete has been poured into the cast iron pedestals to prevent them collapsing. This means that the bridge is safer for the next stage of repair, which we mentioned in the last email. The stabilisation works are scheduled to complete by the end of February 2023.
It’s worth mentioning again that while the funding arrangement for the rebuilding has been determined, actual funds remain scarce, and the long term funding and maintenance model is undecided. The council prefers to package it up so it can be put into a trust and managed at arms length.
The next step is diversion of a gas main at a cost of £5m, and the letting of contracts so that works on the actual major repairs can begin. We have requested copy of the £200k feasibility report into the Foster/COWI temporary bridge to better understand details of the proposals.
There’s been some press and politics around a proposed bridge toll as a way to close the gap in funding for the rebuild, and whether or not residents would be expected to pay. A historic problem with tolls has been that it cost a significant percentage of the actual toll to collect, and with so much cash sloshing around, there was often significant fraud. Newer technology, such as Automatic Number Plate Recognition (ANPR) would presumably lessen these overheads, if not the displeasure.
We are grateful to the Barnes Bugle for alerting us to a detailed video from Mott’s explaining the whole process for those interested in the technicalities:
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Many of you will have been to the exhibition at the Lyric recently to view the proposals and displays. We exhorted the development team to show full elevations, but the best we achieved at the time were partial CGI images. They have now come forward with North and East elevations, which are on the consultation website, along with the exhibition boards, and above / below, and appear to be part of a pending planning application. The large towers in the background are the proposed Landmark House, as yet unbuilt, and we believe subject to change of ownership, and therefore possibly design change too.
As you can see, our very approximate CGI in the earlier article was reasonably accurate dimensionally, if not aesthetically, and at 47m, this undistinguished proposal is of alien scale, substantially higher than the Lyric, and a large intrusion on the King St. horizon. The 15m setback from the street helps reduce this intrusion only marginally, which you can see below.
More importantly, acceptance at this dimension would set a bulk and height precedent along King St., much as we’ve recently seen used in the 66 Hammersmith Road proposal, especially in the continuing absence of an issued Town Centre Masterplan, or planning brief, a subject on which we repeatedly remind the council is nearly 5 years overdue. We haven’t even mentioned a likely West-East prevailing wind tunnel, increased if others were to follow suit.
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The Black Bull was modelled in the early 19th century by Obadiah Pulham from Pulham & Son. In Victorian times, this was a well-known Suffolk-based firm specialising in the production of garden ornamentation for prestigious sites across the country and the material used would have been ‘Pulhamite”, a particular blend of artificial stone they had devised.
Brought into London by Thames barge, the bull’s destination was to serve as the sign for the Black Bull coaching inn at 122a Holborn, an establishment mentioned by Dickens in Martin Chuzzlewit. He adorned the front of that building until 1904 (seen below the second floor window alongside the Black Bull nameplate), when the old inn was demolished to make way for a corner extension to the original Gamages department store.
Reporting this event with some regret as the loss of a favourite destination for American tourists, the New York Times wrote on May 20, 1904: … “the old Black Bull of Holborn was lowered from his perch yesterday, and his retirement from public life marked the demolition of the famous old London inn that bore his name”.
But saved from destruction by the Hammersmith MP Sir William Bull, our bull was transported over to King Street and relocated above the entrance of the Georgian terraced offices of the MP’s law firm, then at number 269. There he stood for over half a century until those buildings too were demolished.
Rescued again, he was brought down to earth to be unsuitably positioned head-on, on a plinth in the forecourt of an undistinguished ‘estate-style’ pub called the Ravenscourt Arms, later renamed the Black Bull, built in 1966 on the site next to Vencourt House, now a Premier Inn, at 257 King Street. In recent years, that pub too closed, leaving the Black Bull of Holborn stranded in the tumbleweed, and once more seeking a suitable Hammersmith home.
The Ravenscourt Arms was owned by Charrington, its successor the Black Bull was part of Punch Taverns, but according to the council, current ownership looks to be connected to the hotel adjacent. Do you know any more? We, alongside Heritage of London Trust, would like to have him restored, and found a more appropriate home.
We wrote about this site nearly five years ago, and in summary, our view then was that it was rather overbearing on the listed buildings opposite, and adjacent conservation areas. Since then, Olympia has come along and given us a whole new perspective on large redevelopments in the vicinity. You can see a CGI of their (under construction) theatre block in the foreground.
The 2017 plans will lapse in November, and though not being pursued, importantly were consented under 2017/04752/FUL a full two years after being lodged. This means that it’s (legally) significantly harder to roll back from such a substantial scale, and goes a long way to explaining why the new proposal bears more than a passing resemblance to the earlier one.
As an aside, we’d urge the planners and developers to spend a little more time meaningfully consulting earlier in the process with LBHF setting a high bar when considering such substantive impacts on the townscape. Hammersmith Road, like the Town Centre, needs a planning brief so that buildings are not proposed willy-nilly without context. There are several 1980’s blocks along the road where Cadby Hall once stood, and unless forethought is applied, a mish-mash of undistinguished buildings may soon be proposed – notwithstanding the present object – to replace the existing ageing and undistinguished mish-mash. Despite boilerplate sustainability statements, such substantial concrete-and-steel proposals are unlikely to feature as highlights on the council’s Climate Emergency agenda, or tick the boxes of the Architects’ Journal RetroFirst campaign, already in its fourth year. We’re again being “consulted” moments before the public, which begins to look like consultation lip-service, and means that in effect little change can be made.
Architecturally, the expressed external structure introduces an inappropriate visual complexity which at the same time creates a perception of additional bulk at roof level, with an unnecessarily prominent parapet in the sky silhouette.
Close by in the next block is the Grade 2 listed façade of Olympia, soon to be joined by dominant neighbours – the jazzy new theatre on the Olympia west side shown above, and the rooftop hotel on the east side. The busyness of the proposed façade of No. 66 would add to this discord. CGI images from a viewpoint west of No. 66, and incorporating Olympia G theatre and the retained Olympia façade, would be an instructive exercise in considering the contribution the proposals would bring to the setting of the listed building.
The proposed building is set back a little more than the 2017 version shown, and is not significantly larger. It’s not painted bright yellow, but the developers might like to consider just how far a little red goes. The public realm is better served by the slightly improved landscaping, and the detailing of the building is better. Access via Blyth Road is a little better than as currently via the end of Lyons Walk, which allows the latter to be better landscaped (by LDA design), and coordinated with Olympia adjacent.
There is some community space, which, given the Lyons and LEO heritage, might best serve as a computer club or similar technology education facility, suitably themed, perhaps involving an association with local schools such as Avonmore primary? The location around the LEO plaque itself is planned to be improved, or the plaque better sited – we’re in contact with the LEO Computers Society who are also being consulted.
We requested the developers look at the space around the bus stop adjacent, the pavement around which is currently very cramped, though changes in the cycle lane alongside, post-Olympia, may change all this.
A public consultation exhibition is being held on 5th October – details are in the diary – and there’s a consultation website with a few more images and details. Let us know what you think.
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Members of your committee, affiliates and resident groups around two primary schools – Avonmore and Flora Gardens – were concerned to see the revival of an unreconstructed Community Schools Programme on the recent council cabinet agenda.
The agenda item was in effect crystallising the May 2022 Labour manifesto into council policy. However, we wrote 4 letters to the council and an article on the subject in 2020, highlighting concerns about the proposal to develop school land, and doubted that the policy was either wise or even justified on a number of specific points of planning and development practice. Furthermore we are aware that other options have been tabled at both locations and rejected by the council. Early consultations were curtailed by the pandemic, and specific promises were made by the council to pause and continue the conversation before proceeding.
To date, this has not happened, although some undocumented discussions amongst various parties have taken place. Under the circumstances we saw little option but to make a formal deputation to the council meeting, re-iterating community concerns, and making the following points:
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You may have seen the website https://27kingstreet.co.uk recently created for a consultation related to the proposed redevelopment of Marks and Spencer in Hammersmith. Like many high street shops, this location has become a little tired in the nearly 100 years of its existence, and our M&S has additionally had a curiously broken roofline for as long as anyone can remember, caused we’re told by partial demolition and the machinations of former planning constraints. The above historic photo shows it as it was before its front teeth fell out.
Fresh from a dressing-down over the proposed Oxford Street redevelopment with Pilbrow & partners, M&S have unsurprisingly chosen a different group to work with here – Reef Group – and with rather different intents. We were provided a fuller picture of the plans for a welcome refurb at a presentation meeting with the developer and M&S in the first week of July.
The plan, though only mentioned in passing on the above website, is a complete rebuilding of the site to create 400 student rooms in a substantial 10 storey block above the store, thereby we assume funding its redevelopment, which like Chiswick’s, would become a larger, but food-only affair of 15000 sq. ft (currently 6000), and based on a market hall concept developed in Clapham. The façade would be retained, the existing gaps filled sympathetically, and the 10 storey block would sit behind and above the façade. This would considerably improve the food offering, but other offers, such as clothing, would become click-and-collect only.
Unfortunately the website visualisation provided (reproduced above) is at such an extreme angle as to mostly hide this substantial building, which is higher than the Broadway buildings, and about the same as the striped glass-clad office building next to the Hammersmith & City Line station, known officially as ’10 Hammersmith Grove’.
We were provided with the adjacent visualisation, still at a rather unsatisfactory angle, and over the long hot weeks since, we’ve been pondering the developer’s coyness at showing the scale of the student blocks, and their effect on the streetscape, light and the Lyric. We’ve asked for ‘Verified Views’ or ‘Accurate Visual Representations’ (AVR) more than once now.
With time passing and the requested visualisations unavailable, we had little option but to use the above information to project our own approximation overlaid onto a Google Earth 3D view of King Street, which is shown below. It uses the above visualisation to project the view at an appropriate angle, showing the approximate scale of the proposal.
With the Lyric on the North side, predominant light from East, West and importantly the South, is not blocked. By contrast, this proposal would cast a substantial shadow over the street, Lyric and particularly Lyric Square, significantly reducing it’s appeal.
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It is difficult to imagine when walking round the clean and tidy residential streets of Hammersmith with its shops and multi-storey office blocks that in the 19th century it was a bustling industrial town taking advantage of the many watercourses and creeks that led into the river Thames to host oil mills, sugar and molasses refineries for the local beer and food industries and a whole host of bustling factories.
Among them was Gwynnes who having made a lot of money when their factory on the Strand became part of the new Victoria Embankment moved their patented centrifuge pump manufacturing business in 1867 to a new factory in Chrisp Road, Hammersmith overlooking the river. In 1920 in the spirit of enterprise the company bought Adam Grimaldi motorcar manufacturers and produced 2250 8 hp and 600 10 hp cars before financial problems stopped production in 1927. Their name still lives on in Hammersmith as Gwynnes Skip Hire Company.
In 1933 the factory was converted into a compact film studio with two stages and a dubbing theatre as part of Twickenham Studios which was in turn acquired by Jack Buchanan who produced such films as We’ll Meet Again with Vera Lynn, The Seventh Veil with James Mason and Father Brown with Alec Guinness.
With the arrival of television the newly revamped BBC Riverside Television Studios was opened in March 1957 by Queen Elizabeth the Queen Mother. The Studios went on to make such classics as Hancock’s Half Hour, Z-Cars, Dixon of Dock Green and the first Doctor Who.
The BBC sold the building to Hammersmith and Fulham Council in 1974 who developed it into two large multipurpose studios that blossomed as an international theatre and arts venue where Samuel Beckett directed a production of Endgame and Waiting for Godot and most of Britain’s artistic talent was involved in directing or performing across all the art disciplines.
There were also some memorable art exhibitions of works by Eduard Munch, Yoko Ono, Antony Gormley and David Hockney. In addition, the building provided a home the dozens of small film and theatre production companies allowing them to develop their business in a collaborative environment.
In September 2014 the Riverside was closed for redevelopment following two years of discussions in which your correspondent took part with a neighbouring empty property owned by a Housing Association. The end result was a most imaginative scheme that created 165 residential flats, importantly adding a further link to the London River Walk, increased the size and capacity of Riverside Studios and added a public display area, café’s and a 130 seat Michelin Guide restaurant. We gave the Queen’s Wharf and River Walk our highest Award, the Environment Award, in 2018.
Riverside Studios continues its long tradition of providing the Hammersmith and Fulham community with an outstanding range of theatrical and cinematic experiences as well as first-class production facilities for the television industry.
Long may the show go on!
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When we last reported on the bridge, the stabilisation works were just about to start. Since then, the council’s contractors have built the ramps to take pedestrians away from the works on the pedestals, and have dismantled the outer casings, completely exposing the troublesome cast iron pedestals for the first time in 135 years, as shown in the photo gallery kindly provided by our member, Jane Bain. Bazalgette’s relatively straightforward design can at last be appreciated, clearly demonstrating the ease with which the pedestals could be replaced by unbolting, as we’ve suggested for some time.
On 28th June, the new Local and Affiliate News page (and homepage sidebar) provided news of the parliamentary adjournment debate initiated by the MP for Putney, Fleur Anderson, and contributed to by our MP Andy Slaughter, and Sarah Olney, MP for Richmond Park, on the subject of bridge restoration funding.
What ensued was a familiar ping-pong between the junior minister on one side, relying on a somewhat worn line that because it’s called Hammersmith Bridge it’s LBHF’s responsibility, and in a pincer movement, MP’s on the other side trying to winkle open the Treasury coffers, making the point that the closure effects are widespread in South West London by reference to Putney Society comments and others, and listing other bridges that are funded in different ways, mostly by TfL, in a ‘policy…all over the place’. It was also made clear that stabilisation work had been started at some LBHF financial risk, given the Task Force delays and machinations around the so-called ‘business case’ that we previously reported.
Worryingly, the business case is now referred to specifically in terms of the stabilisation works, and a further business case is now being requested for the major works to release the established 1/3 government funding. Given unimpeded government largesse elsewhere, and an excessively drawn-out process previously, this might be seen as a further delaying tactic, the politics of which are unclear. The point was made that a similar debate with a similar ping-pong & result occurred a year ago, and that the current TfL funding crisis is hardly helping matters, given its 1/3 agreed funding responsibility. The full debate text is here.
Reference was made to the Prior Information Notice (PIN), which we tweeted at the end of May for expressions of interest in the full restoration works, providing us the hope and expectation that a contractor and plan can be primed, notwithstanding funding. New Civil Engineer reports that 28 organisations have expressed an interest.
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